*再圖靈數位藝構工作室位於材料行為、場域力量、哲學思辨與計算生成的交界。

*以「中性概念」為基礎，我們拒絕二元框架，採取去中心化、拓樸化與游牧性的生成策略。材料反應、化學變動、環境訊號與身體感知成為初始參數，共同驅動一套持續演化的概念機器。

*透過 CAGD、TouchDesigner、數位製造與機械手臂，形態在迭代、遞迴與多媒材纏繞中湧現為褶皺、張力與動態場域。

*作品不再是靜態物件，而是可呼吸、可回應的系統。
工作室以新人類網絡的創造者自居，融合哲學深度與技術實驗，推動未來 5–15 年的藝術與建築前沿。

RE-TuringHarmonica Studio operates at the intersection of material experimentation, site-specific forces, philosophical inquiry, and computational design.

 

Grounded in the notion of the “neutral concept,” the studio rejects binary and centralized structures, embracing instead a topological, decentralized, and nomadic generative logic. Material reactions, chemical variations, environmental fluctuations, and embodied perception function as primary parameters, activating a continuously evolving Concept Machine.

 

Through CAGD, TouchDesigner, digital fabrication, robotics, and autonomous construction, this Concept Machine follows Deleuze’s idea of the “eternal return of difference,” allowing form to arise through iterative mutation, recursive feedback, and multi-material entanglement.

 

The resulting spatial conditions manifest as folds, tensions, and emergent temporal structures—situated between architecture, art, and performance, yet belonging fully to none.

 

The studio emphasizes human–machine collaboration and temporal multiplicity: real-time sensing, algorithmically driven behaviors, material self-activation, and audience presence collectively animate environments that behave like responsive, breathing organisms.

 

Positioned as a catalyst for new human–machine networks, RE-TuringHarmonica Studio synthesizes philosophical depth, material science, computational geometry, and experimental fabrication to advance the next 5–15 years of artistic and spatial innovation—creating works that act as thresholds between contemporary reality and the speculative futures to come.